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1.Movie Review – Lou (2022)
Directed by Anna Foerster.Starring Allison Janney, Jurnee Smollett, Logan Marshall-Green, Ridley Asha Bateman, Greyston Holt, Matt Craven, Toby Levins, Marci T. House, and Jaycie Dotin.
A storm rages. A young girl is kidnapped. Her mother teams up with the mysterious woman next door to pursue the kidnapper, a journey that tests their limits and exposes shocking secrets from their pasts.
The day also reveals that Lou takes place during the Reagan administration (briefly mentioned on television screens to explain away a lack of modern technology once the proceedings shift into a thrilling cat and mouse game), but what sticks out most is Allison Janney’s cold and steely tough persona; she’s particularly skilled at tracking and hunting (partnering up with her dog Jax), even when conversing with a young woman and her daughter about upcoming rent.
That woman is Hannah (Jurnee Smollett), who is trying to keep her young daughter Vee (Ridley Asha Bateman) hidden from an abusive Special Forces demolition expert ex-boyfriend (a man that she doesn’t believe for a second is dead, despite what she is told), a complete psychopath played by Logan Marshall-Green.
For Lou’s alienating antisocial behavior and payment strictness, there’s also a visible sense of softness and pained remorse underneath that rocky exterior and a desire to open up about something important or say something kind, but without the courage or ability to find the words to do so. Nevertheless, once the evil man fueled by rage locates and kidnaps Vee, that protective instinct is triggered; moments before attempting suicide, Lou has been granted an admittedly cliché shot at redemption.
There is no denying that Lou is pulling from the action movie playbook while also inserting a preposterous reveal halfway through that threatens to strike down every bit of goodwill like relentless lightning. However, such familiarity turns out to be mostly irrelevant since the filmmakers are so competent and assured in execution, receiving a boost from committed performances and excellent photography from Michael McDonough embracing the harsh environmental elements (touched up by some impressive visual effects).
Instead, Lou functions like satisfying trash, partly because the film is interested in trying to say something about motherhood and stubborn lone wolf behavior with its revelations. It’s nothing profound, but that’s also not necessary, given the satisfying bombastic material.
There’s a sequence involving a wooden bridge knocked sideways that they must hang off and shimmy across, showcasing some creative thought went into these set pieces, as does a stunningly shot hand-to-hand final battle set against a beach’s crashing waves. It’s easy to get swept up in such exhilarating action scenes, striking photography, and a conflicted yet fierce turn from Allison Janney, even if the story and revelations are silly.
Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★
2.Top Five Movies To Watch in 2022
The opinions expressed in this article are the writer’s own and do not reflect the views of Her Campus.
Have you been looking for something new to watch recently or are struggling to find movies that pique your interest? Check out these top five movies that were released this year that all have incredibly strong women leads and crazy subject matter.
The Batman, dir. Matt Reeves
The Batman, starring Robert Pattinson has thus far been my favorite movie of 2022. This film has had the attention of everyone since the announcement of his casting, but what I anticipated more than Rob was Zoe Kravitz as Catwoman in Matt Reeve’s version of Gotham City. Zoe truly ate that role up. Her performance on screen was captivating and powerful, and the costumes were different and refreshing and complimented Kravitz and her regular style well. We love to see the Batman & Catwoman duo make a return to the big screens. It is a nice change to see the addition of more women leads to the DC Universe, especially after Gal Gadot’s Wonder Woman. However, this film is a long watch — about three hours to be exact — but is worth every second.
NOPE, dir. Jordan Peele
The film NOPE directed by the oh-so-infamous Jordan Peele takes an unconventional approach to horror films today. Starring Daniel Kaluuya, Steven Yeun, and our childhood favorite Keke Palmer as Emerald Haywood, Peele’s NOPE is a tantalizingly creepy mixed bag of a sci-fi thriller that plays on our fear and amazement of UFOs. It keeps us shivering for a while, and although the film is horror Keke keeps it fun throughout. I don’t want to say too much to spoil the thriller but just know you’re truly in for a ride — especially if you aren’t familiar with the cosmic horror genre.
Don’t Worry Darling, dir. Olivia Wilde
As the only film in this list directed by a woman, Don't Worry Darling by Olivia Wilde comes in at number three. This film hits when you ignore the Rotten Tomatoes rating of 30% from critics and the negative attention from all the drama surrounding the work triangle between Miss Flo, Harry, and Olivia Wilde. Don’t Worry Darling is a surprisingly gripping movie and keeps you on your toes to the end. The film takes place in the 1950s, where we explore the life of Alice Chambers, as she unravels the ugly truth of living in paradise with her husband Jack played by Harry Styles. Miss Flo does a great job again in another film and I am definitely going to see this again before it leaves theatres. Go watch it now!
The Gray Man, dir. The Russo Brothers
Netflix dropped the best action movie of Summer 2022 with The Gray Man. starring Hollywood’s most popular actors, such as Ana de Armas, Ryan Gosling, and Chris Evans, this movie is an epic espionage thriller. Heartthrob Gosling plays Sierra Six, the CIA's top asset — whose identity is known to no one. The best part of the film is the fighting duo between Sierra Six and Ana de Armas' character agent Dani Miranda. This movie is by far action-packed and will leave you waiting for the sequel.
The Gray Man is an action-packed engaging film that gives a lot of excitement right from the start thanks to fantastic cinematography and soundtrack, a great narrative, and a talented cast.
Thor: Love & Thunder, dir. Taiki Waititi
In this fourth installment of the franchise, Chris Hemsworth plays Mighty Thor yet again as he returns to the life of being a hero after the events of Avengers: Endgame. In this space adventure spectacle, Thor sets out with the Guardians of the Galaxy on a spiritual journey of purpose, love, and loss. The fourth installment of the Thor series takes a wild ride with a very special return of Natalie Portman, as she comes back to play Jane Foster. She takes the lead in this movie as the new Lady Thor in this action-packed film. With a star-studded cast of Christain Bale, Tessa Thompson, Russell Crowe, and more, it’s fun and light-hearted. However, it comes in last as it's truly only a watch for when there’s nothing else on streaming platforms.
My boyfriend also helped me write this list, aka my movie partner, so go find someone to watch something with to do the best part: talk about them afterward. I hope you enjoyed reading my list and getting a closer look at some of these movies. They are too good to miss out on, so tap in.
3.The 7 Best New Movies on Netflix in September 2022
Fall is almost, which means that spooky season is also just around the corner.
And while we’ve got a couple of good Halloween-adjacent options for our September rundown, there are plenty of other great movies hitting Netflix this month, including a bunch of original films that look absolutely incredible — including a long-in-the-works Marilyn Monroe biopic and the new film from French director Romain Gavras.
So whether you want to revisit a cult favorite (“Road House”), watch two of your favorite TV stars team up in a movie (“Do Revenge”) or enjoy one of the odder films in the grand Adam Sandler catalog (“Little Nicky”), there’s something for everybody on the streaming service this month.
“Road House”
Jake Gyllenhaal recently shared a photo from the first day of photography on his “Road House” remake with director Doug Liman. While waiting for that film to drop next year, why not revisit the original? If, by some cosmic fluke you have never seen “Road House,” it’s time to change that. Simply put, it is a kitsch masterpiece. Patrick Swayze, at his dreamiest, plays Dalton, who is hired by a rowdy roadside bar to be a “cooler;” his main job is to temper the establishment’s violent outbursts, make friends with the rougher clientele and to make sure everybody has a good time. Easier said than done. Especially when he gets entangled with a smalltown hood (played, with scenery-chewing aplomb, by a clearly slumming Ben Gazzara). It would be easy to write off “Road House” as nonsense, were it not for the pedigree behind and in front of the camera (including producer Joel Silver, cinematographer Dean Cundey and sturdy character actors like Sam Elliott and Kevin Tighe) and fact that it is relentlessly entertaining.
“Do Revenge”
This looks delightful! A super bitchy, high school-set variation on Alfred Hitchcock’s “Strangers on a Train,” in “Do Revenge” Camila Mendes (from “Riverdale”) and Maya Hawke (from “Stranger Things”) play picked-on high schoolers who make a pact to go after each other’s bullies. (They have very, very bad exes.) The trailer for “Do Revenge” is killer (it helps that it’s soundtracked by Mazie’s great “Dumb Dumb”), suggesting a razor-sharp, R-rated high school thriller along the lines of “Jennifer’s Body” or “Heathers.” (Bonus cool points for Este Haim co-composing the soundtrack.) And with Jennifer Kaytin Robinson, co-writer of this summer’s “Thor: Love and Thunder,” co-writing and directing “Do Revenge,” you can bet it’s going to be laugh-out-loud funny. Put it on your to-do list.
“Athena”
The son of director Costa-Gavras (“Z,” “State of Siege”), Romain Gavras has grown from a music video wunderkind (with his memorable clips for artists like M.I.A. and Jay-Z and Kanye West’s Watch the Throne project) to one of international cinema’s most exciting modern filmmakers while holding firm to those pop sensibilities (he always has the coolest artists contribute to his scores). 2018’s “The World is Yours” felt like the filmmaker reaching a new plateau; it felt wholly original while still acknowledging its forebearers (the title is a reference to “Scarface”). It was one of the best films of that year but was unceremoniously dumped on Netflix. Hopefully, the same fate doesn’t await “Athena.” While the logline and early marketing materials err on the side of the nebulous (“Hours after the tragic death of their youngest brother in unexplained circumstances, three siblings have their lives thrown into chaos”) but early word is that his scope has widened and his political edge sharpened. It’s not just one of the most anticipated movies of September – it’s one of the most anticipated movies of this year.
“Lou”
If you had “Allison Janney killing a guy with an empty can of soup” on your 2022 bingo card, congrats! “Lou” is the movie for you! In the 1980s Pacific Northwest, Jurnee Smollett (from “Lovecraft Country”) plays a single mom who teams up with Janney to find her kidnapped daughter, who has been taken by her estranged husband (Logan Marshall-Green). Together they seek out some very bad dudes. The trailer makes the movie looks like some gender-flipped, “John Wick”-adjacent fun but there’s some meat on “Lou’s” bones. J.J. Abrams produced the movie, and you know he loves a good mystery. Come to see Janney beat the hell out of dudes, stay for something altogether more intriguing.
“Blonde”
A glitzy Netflix biopic of Marilyn Monroe sounds straightforward right? Well, not so fast. “Blonde,” adapted from the Joyce Carol Oates novel of the same name by Australian writer/director Andrew Dominik, is so provocative that the Motion Picture Associate gave it an NC-17 rating, a rating meant for explicitly adult material that has become synonymous with the X-ratings fancied by pornographers and grindhouse theaters. (It joins the ranks of “Showgirls,” “Blue is the Warmest Color,” Pedro Almodovar’s “Bad Education” and standup specials from Martin Lawrence and Andrew “Dice” Clay.) “Blonde” stars Ana de Armas as Marilyn Monroe, with Adrien Brody as Arthur Miller and Bobby Cannavale as Joe DiMaggio. Dominik’s close collaborators Nick Cave and Warren Ellis provide the movie’s score. Dominik hasn’t directed a narrative feature since “Killing Them Softly” which came out an entire decade ago. It’s been too long. Bring on the controversy.
“The Munsters”
Whew boy. Few trailers have generated the kind of discussion that the spot for Rob Zombie’s “The Munsters” did when it debuted online earlier this year. And honestly, that trailer was bizarre and wonky, but given Zombie’s history as an adventurous and highly literate filmmaker, we’re hoping for the best here. “The Munsters” is based on the goofy, monster-themed sitcom that ran on NBC in the 1960s. If the trailer is truthful, Zombie has maintained a lot of that series’ kitschy aesthetic, serving as something of a prequel to the original show. While the cast isn’t exactly inspiring (it includes a bunch of Zombie regulars, including Jeff Daniel Phillips, Sheri Moon Zombie, Daniel Roebuck and Richard Blake), the idea of the director of “The Devil’s Rejects” taking on such an agreeably campy property certainly is.
“Little Nicky”
Yes, “Hubie Halloween” (made for Netflix) is Adam Sandler’s spooky season crowning achievement (it will be an even more essential re-watch this year to honor fallen co-star Ray Liotta), but we should forget Sandler’s earlier attempt to mix scares and laughs – “Little Nicky.” Arguably the most bizarre movie that Sandler has ever starred in he plays Little Nicky, the youngest son of Satan (played by Harvey Keitel). Little Nicky, who has a slicked-down hairstyle and talks out of the side of his mouth, travels to New York City, falls in love with Patricia Arquette and seeks to prevent his brothers (Tiny Lester and Rhys Ifans) from causing too much trouble. This movie really has it all – a talking dog (voiced by Robert Smigel, obviously), an incredibly grating Quentin Tarantino cameo, a cast that somehow includes Rodney Dangerfield, Ozzy Osbourne and Reese Witherspoon, and some pretty impressive make-up effects. Is “Little Nicky” for everybody? Absolutely not. But if you can get on its particular wavelength, it’s a ton of fun.
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